The 20 Best Albums of 2018

Chromatics. BeyoncÉ. KENDRICK LAMAR. THE WAR ON DRUGS. WHO WILL JOIN THEM AS MEMBERS OF THE #1 ALBUM OF THE YEAR CLUB? FROM KACEY MUSGRAVES TO AMEN DUNES, MARIAH CAREY TO YVES TUMOR, THESE ARE THE BEST ALBUMS OF 2018.

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Surveying the Potential 2019 Grammy Nominees Field

By this time tomorrow, we’ll know for certain who is nominated for the 2019 Grammy Awards, representing the best in music from October 1, 2017 to September 30, 2018. So, save your “#JusticeForABriefInquiryIntoOnlineRelationships” for this time next year. But as often the case, there will be outrage, ridicule, and, just maybe, someone somewhere will be happy.

Continue reading “Surveying the Potential 2019 Grammy Nominees Field”

The 100 Best Songs of 2018

From cardi b’s summer anthem to lady gaga & bradley cooper’s showstopper, Beach House’s steady hand to Lil Wayne’s return to form, 2018 had something for everyone. these are the songs that we’ll remember most fondly from the year that was.

100. YEARS & YEARS: “ALL FOR YOU”

POP

99. WESTERMAN: “CONFIRMATION”

98. CHELSEA JADE: “LAUGHT IT OFF”

97. DAM FUNK: “IN THE CITY”

ELECTRONIC

96. BOY PABLO: “LOSING YOU”

95. BROCKHAMPTON: “1999 WILDFIRE”

94. AMBER MARK: “LOVE ME RIGHT”

93. LEON BRIDGES: “BEYOND”

92. LANA DEL REY: “VENICE BITCH”

91. ROSS FROM FRIENDS: “PROJECT CYBERSYN”

ELECTRONIC

90. NICKI MINAJ: “GOOD FORM”

RAP

89. FATHER JOHN MISTY: “MR. TILLMAN”

ALTERNATIVE

88. YO LA TENGO: “FOR YOU TOO”

ALTERNATIVE

87. LOW: “DISARRAY”

ALTERNATIVE

86. THEOPHILUS LONDON: “ONLY YOU” [FEAT. TAME IMPALA]

POP

85. JANELLE MONÁE: “I LIKE THAT”

POP

84. YUMI ZOUMA: “CRUSH (IT’S LATE, JUST STAY)”

POP

83. MORMOR: “WAITING ON THE WARMTH”

POP

82. CUPCAKKE: “QUIZ”

81. CHANNEL TRES: “JET BLACK”

Every year there’s a handful of pop songs that sound like surefire hits without ever reaching the heights they deserve, and one such song from 2018 is Years & Years’ Palo Santo highlight “All For You.” While that song never took off the way it should have, “Good Form” was one of the biggest hits from Nicki Minaj’s Queen, an album that otherwise failed to launch hit singles like her previous albums did. It features one of the more charismatic performances from Minaj in some time, and with a new remix featuring Lil Wayne, “Form” will undoubtedly be one of the defining songs from the Queen era.

And while “I Like It” didn’t reach the heights of Janelle Monáe’s biggest 2018 hit “Make Me Feel” – more on that one later – it is another exhibit in why Monáe has become one of our most beloved stars. And with a rising profile in the film industry, the general public is getting to know what the lucky ones that have been following her for over 10 years now have known since Idlewild.

Indie acts Yo La Tengo (“For You Too”), Father John Misty (“Mr. Tillman“), and Low marked their 2018 returns with some of their most remarkable work to date. Low in particular made us rethink what the Texan band is capable of, “Disarray” a stirring highlight off their phenomenal album Double Negative.

Elsewhere, “Only You,” “Crush (It’s Late, Just Stay),” and “Waiting on the Warmth” showcased ear worm melodies that expand the reach of pop as a genre, while “In the City” and “Project Cybersyn,” this volume’s two instrumental electronic tracks, pulled listeners in without a single word.

Travis Scott makes the leap on ASTROWORLD

Travis Scott has always been an interesting figure because of the company he keeps. His music, which to this point had marginal flashes of a potent rap star lurking underneath, felt more interested in conveying a certain mood than individual thought. He wasn’t going to dictate how you felt; he’d reaffirm it. That he’s been a key contributor to albums from Kanye West and Rihanna, collaborated with Quavo on a full-length LP, and married into the Jenner family, had eclipsed his solo output to this point.  Continue reading “Travis Scott makes the leap on ASTROWORLD”

Mid-Year Report: The 10 Best Albums of 2018

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Black Panther OST

Various Artists

Most major motion picture soundtracks fall victim to special interests, the bottomline that any life the songs once may have had are sucked out of them. We had reason to believe the soundtrack to Black Panther would be different, thanks to Kendrick Lamar serving as executive producer, and with his trusted hands, the Black Panther OST does not disappoint. Having spawned two hit singles (“All the Stars” and “Pray For Me”) and an undying meme (“I freaked it”), it’s also one of the releases we’ll remember strongest from 2018. Continue reading “Mid-Year Report: The 10 Best Albums of 2018”